Alex Garza:
Photography Portfolio
I have worked as a professional photographer for many years, yet every photograph in this portfolio was created in my spare time and purely as an exercise in pushing my creative and technical boundaries, without any financial incentive or gain.
The Most Convoluted Selfie,2016, 4X5 Film Camera
I designed, fabricated and built the 4X5 film camera in the photograph. I used two mirrors and two flashes to take the photo with the actual camera in the image.
Portraits
A diverse collection of portraits featuring politicians, cowboys, hip-hop DJs, rappers, farmers, poets, and other compelling individuals I have collaborated with. Each portrait is crafted with a unique lighting setup and creative approach, tailored to reflect the subject's personality. In some cases, the collaboration extends to styling choices, including how they wish to present themselves through makeup. Others are spontaneous encounters or individuals I met and photographed while working on location for other projects.
Burro, 2015. Digital Photograph, Adobe Photoshop
Jessica Bell, 2016. Digital camera, Adobe Photoshop
DJDC, 2024. Digital Camera, Adobe Lightroom
Downtown Rapper, 2023. Digital Camera, Adobe Lightroom
Outsider
Traveling through foreign cultures and landscapes transforms my perspective as a photographer, shifting my role from collaborator to active observer. I draw on native surroundings, natural light, and organic elements to capture compelling images. This collection of photographs, created both locally and abroad, reflects the perspective of a detached outsider looking in.
Corpus in Granada, 2018, Digital Camera, Lightroom
MLK in Bryan,2022, Digital Camera, Lightroom
NOLA Street Performer, 2018, Digital Camera, Lightroom
Callejones de San Miguel, 2017, Digital Camera, Lightroom
Toros, 2023, Digital Camera, Lightroom
Mother and Child, 2023, Digital Camera, Lightroom
Analog meets digital
In 2016 I designed, made the parts and built my first 4X5 film camera. This required me to delve into technical areas I was unfamiliar with, merging traditional woodworking practices with modern digital tools and software in order to complete a self-driven photography project. I drew the plans on paper and then had to learn how to convert those plans into a digital file so that I could then cut the aluminum parts on a CNC router. Learning how to draw my plans precisely so that I could generate a G-code, calibrate, and run a CNC routing machine were all techniques I learned by talking with people at different maker spaces in our area. The result was a fully articulating tilt, shift, rise and swing camera that I used on a project I titled The Downtownies. All of the photographs were taken on 4x5 film which I developed at home before scanning and turning them into digital files. The Downtownies is a collection of 26 portraits of various recognizable faces seen regularly in downtown Bryan. Each portrait was printed on 24X36 sheets of paper using dot-matrix printers and hung at the Village Cafe for display.
Preparing a 4X5 camera to take each individual image may take several seconds and even minutes. This is why many medium format portraits feature expressionless faces of subjects who are told to hold still and not move. I challenged the expressionless medium format portrait with these portraits in which each subject was encouraged to find their own unique expression and then coached so that sharp focus could be captured despite the time it took to prepare the camera.
Oak and Aluminum 4X5 film camera, 2016
Tim, 2016, 4X5 Film, digital scan
Latonya, 2016, 4X5 Film, digital scan
TAMU/ Visualization
Collaborated with Hungary-based New Work Development Artist in Residency at PVFA, Fruszsina Nagy, on her Empathy project titled In the Waves of Mekong. Lighting, on-location conceptualization, production logistics and scouting, photography and post-production for the photographic elements of this installation. (Fall 2025)
The Battalion
Conceptualizing, organizing and managing the opening of Felice House’s Re-Western art exhibition in the Kimball building and having it coincide with the closing ceremonies of the Visions of Texas Film Festival, an event being in held in collaboration with PVFA and The Queen’s Film Society. The QFS is local non-profit I co-founded with professor Dan Humphrey dedicated to bringing arts to our community. (Fall 2025)
Collaborating with faculty on space-themed Virtual Production project. Experience in lighting, camera operating and construction are initial strengths I bring to the project. (Fall 2025)